Nothing Is Just a Drink in Panjab

Nothing Is Just a Drink in Panjab

Pearl Sandhu

Pearl Sandhu

Let’s get this out of the way. No one in Panjab is drinking those thick, dessert-like lassis daily. The sweet curd lassi is a loud drink built to impress, cream layered on cream, as if the point is not to quench or cool, but to declare abundance.

Nothing Is Just a Drink in Panjab

Nothing Is Just a Drink in Panjab

Rini Singhi

Pearl Sandhu

Pearl Sandhu

Let’s get this out of the way. No one in Panjab is drinking those thick, dessert-like lassis daily. The sweet curd lassi is a loud drink built to impress, cream layered on cream, as if the point is not to quench or cool, but to declare abundance.

My first encounter with that version was traumatic. A giant brass tumbler at a famous shop in Amritsar, forced upon me by an uncle staging a full demonstration of Panjabi dairy supremacy, backed by his firm belief that everyone has an expandable stomach. It was frothy, creamy, layered with malai. Somewhere halfway through, I thought I might die. I was told to finish it.

The sweet white lassi you think of as Panjabi lassi is an imposter. It slows you down by drowning you in itself. The real thing is chatti di lassi, closer to whey than to what we now call lassi. Not a dessert. The chatti is the clay vessel in which curd is churned to extract butter, and what remains is a thin, aerated liquid. The whey, lightly sour, faintly fermented, carries the memory of milk without its weight. Musty, alive, slightly unpredictable. Always with roasted cumin, black salt, and sometimes a hint of black pepper. Real Panjabi lassi is a summer salve, not an anaesthetic. Even when it becomes kacchi lassi, that Barbie-pink liquid passed through a car window during chabeels, it remains light. It is meant to cool, not overwhelm. Before the White Revolution, households had plenty of unpasteurised milk. It was often thinned with water and either sweetened or balanced with black salt and pepper, which worked as an everyday antacid.

Over time, the recipe became quicker and more vivid with Rooh Afza — it added colour, fragrance, and sweetness to the half milk, half water drink. During chabeels, men step into the road to press it into your hands. This garish street drink is an offering to the masses in the memory of a guru who sat on burning sand. The act of giving it away, cold and sweet, is a small comfort offered to strangers in transit.

Summer in Panjab is not just a season but a crisis. The drinks become pivotal to life then. At home, shikanjvi arrives first, sharp, salted, poured endlessly into steel glasses until the body steadies from the hot winds. Lemons from the garden, softer than the sharp kagazi nimbus of today, are used. Black salt is not a mere garnish here but a repair mechanism, carrying electrolytes, trace minerals, and the memory of a Panjab that once stretched into the salt ranges of Khewra and Warcha, now across a border but once intimately part of the land before Partition. Someone stands with a steel jug and keeps pouring until the depletion leaves your body, and it never ends with one glass.

I remember being sent to the handpump to draw cold water for the shikanjvi at home. You had to pump a few rounds before the groundwater ran cold. There were refrigerators, but in peak summer, there was rarely any electricity. Once the guests were done, you got the leftover shikanjvi as a reward. It turned bitter quickly, so it had to be made fresh and finished just as fast. 

And when even that was not enough, when the heat needed something more sustaining, there was jau da sattu –  roasted barley ground into powder and stirred into water. Sometimes sweet, sometimes salted, sometimes eaten with onions and roti. This is not just a drink but a summer shortcut. A way to avoid cooking in 45-degree heat and nourish even when the heat dulls the appetite.

Read the full article and much more in our latest issue

Read the full article and much more in our latest issue

Read the full article and much more in our latest issue

Issue #4:

Hyperlocal

Issue #4:

Hyperlocal

Issue #4:
Hyperlocal

Issue #4:

Hyperlocal

If origin doesn’t make something truly hyperlocal, what does? Could it be the destination? Indigenisation? Re-territorialisation? Or, naturalisation? Is local something you are born with, or is it something you simply become?

If origin doesn’t make something truly hyperlocal, what does? Could it be the destination? Indigenisation? Re-territorialisation? Or, naturalisation? Is local something you are born with, or is it something you simply become?

If origin doesn’t make something truly hyperlocal, what does? Could it be the destination? Indigenisation? Re-territorialisation? Or, naturalisation? Is local something you are born with, or is it something you simply become?

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dhoop uses food as a lens. Through this lens, we interrogate culture, sustainability, design, and the systems that sustain life. We started as a magazine focused on stories of food and its intersections.

Issue 04: Hyperlocal

Speaking of man-made, who decided what is local to a place? Can only native, indigenous things be local? If origin doesn’t make something truly hyperlocal, what does? Could it be the destination? Indigenisation? Re-territorialisation? Or, naturalisation? Is local something you are born with, or is it something you simply become?

Some dhoop for you!

Sign up for our newsletter.

dhoop uses food as a lens. Through this lens, we interrogate culture, sustainability, design, and the systems that sustain life. We started as a magazine focused on stories of food and its intersections.

Issue 04: Hyperlocal

Speaking of man-made, who decided what is local to a place? Can only native, indigenous things be local? If origin doesn’t make something truly hyperlocal, what does? Could it be the destination? Indigenisation? Re-territorialisation? Or, naturalisation? Is local something you are born with, or is it something you simply become?

Some dhoop for you!

Sign up for our newsletter.

dhoop uses food as a lens. Through this lens, we interrogate culture, sustainability, design, and the systems that sustain life. We started as a magazine focused on stories of food and its intersections.

We work out of Jaipur, Bangalore & Mumbai

Issue 04: Hyperlocal

Speaking of man-made, who decided what is local to a place? Can only native, indigenous things be local? If origin doesn’t make something truly hyperlocal, what does? Could it be the destination? Indigenisation? Re-territorialisation? Or, naturalisation? Is local something you are born with, or is it something you simply become?

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Sign up for our newsletter here.

dhoop uses food as a lens. Through this lens, we interrogate culture, sustainability, design, and the systems that sustain life. We started as a magazine focused on stories of food and its intersections.

We work out of Jaipur, Bangalore & Mumbai

Issue 04: Hyperlocal

Speaking of man-made, who decided what is local to a place? Can only native, indigenous things be local? If origin doesn’t make something truly hyperlocal, what does? Could it be the destination? Indigenisation? Re-territorialisation? Or, naturalisation? Is local something you are born with, or is it something you simply become?