Open Call
Issue #4

  • Issue #4: Hyperlocal

  • Now Accepting Pitches

Open Call
Issue #4

  • Issue #4: Hyperlocal

  • Now Accepting Pitches

Open Call
Issue #4

  • Issue #4: Hyperlocal

  • Now Accepting Pitches

Latest

Latest

Latest

Latest

Issue 03: Cooking

Issue 03: Cooking

Issue 03: Cooking

Issue 03: Cooking

We aren’t just talking about cooking in isolation, we are talking about how cooking interacts and engages with nature, culture, sustainability, and design.

Nikita Biswal takes us into her kitchen, where she cooks alongside

a lyrical, melodious companion. Devi writes about the chaos in her kitchen mirroring the chaos in her head. Nabilah’s writing holds up a mirror that compelled us to think about how less is more.

We aren’t just talking about cooking in isolation, we are talking about how cooking interacts and engages with nature, culture, sustainability, and design.

Nikita Biswal takes us into her kitchen, where she cooks alongside

a lyrical, melodious companion. Devi writes about the chaos in her kitchen mirroring the chaos in her head. Nabilah’s writing holds up a mirror that compelled us to think about how less is more.

Mahek’s words weave a circle of life, ending on the certainty of food rituals that come with the grief that accompanies bereavement.

Each of these stories renewed our understanding of cooking—as a practice, sure, but more importantly, as an understanding, as a language, as a memory, and

in transit. 



Mahek’s words weave a circle of life, ending on the certainty of food rituals that come with the grief that accompanies bereavement.

Each of these stories renewed our understanding of cooking—as a practice, sure, but more importantly, as an understanding, as a language, as a memory, and

in transit. 



Mahek’s words weave a circle of life, ending on the certainty of food rituals that come with the grief that accompanies bereavement.

Each of these stories renewed our understanding of cooking—as a practice, sure, but more importantly, as an understanding, as a language, as a memory, and

in transit. 



My Kitchen Radio

Nikita Biswal

My Kitchen Radio

Nikita Biswal

My Kitchen Radio

Nikita Biswal

My Kitchen Radio

Nikita Biswal

Reimagining Rot: How Confronting Food Waste—At Home and At Scale—Changed My Relationship with Cooking,

Nabilah Noorani

Reimagining Rot: How Confronting Food Waste—At Home and At Scale—Changed My Relationship with Cooking,

Nabilah Noorani

Reimagining Rot: How Confronting Food Waste—At Home and At Scale—Changed My Relationship with Cooking,

Nabilah Noorani

Reimagining Rot: How Confronting Food Waste—At Home and At Scale—Changed My Relationship with Cooking,

Nabilah Noorani

Beyond Duty, Inheritance and Memory

Indu Benny

Beyond Duty, Inheritance and Memory

Indu Benny

Beyond Duty, Inheritance and Memory

Indu Benny

Beyond Duty, Inheritance and Memory

Indu Benny

On the Streets

Ashim Tyagi

On the Streets

Ashim Tyagi

On the Streets

Ashim Tyagi

On the Streets

Ashim Tyagi

Feeding the Living, Honouring the Departed

Mahek Arora

Feeding the Living, Honouring the Departed

Mahek Arora

Feeding the Living, Honouring the Departed

Mahek Arora

Feeding the Living, Honouring the Departed

Mahek Arora

Culture

Culture

Culture

Culture

Culture

Phoolkopir Barfi: The Tale of Pragyasundari Devi & Vegetable for Desserts

Had Pragyasundari Devi lived today, she may very well have been in the running for a James Beard award. Or running the Foundation itself. Growing up in Jorasanko Thakurbari, the ancestral home of the Tagore family and a Mecca of the arts in colonial-era Bengal, Pragyasundari Devi was far more than the 20th century’s vocabulary had the capacity to describe. Perhaps, today, one might recognise her as a food scholar. Others might call her a pioneer.

Culture

Phoolkopir Barfi: The Tale of Pragyasundari Devi & Vegetable for Desserts

Had Pragyasundari Devi lived today, she may very well have been in the running for a James Beard award. Or running the Foundation itself. Growing up in Jorasanko Thakurbari, the ancestral home of the Tagore family and a Mecca of the arts in colonial-era Bengal, Pragyasundari Devi was far more than the 20th century’s vocabulary had the capacity to describe. Perhaps, today, one might recognise her as a food scholar. Others might call her a pioneer.

Culture

Phoolkopir Barfi: The Tale of Pragyasundari Devi & Vegetable for Desserts

Had Pragyasundari Devi lived today, she may very well have been in the running for a James Beard award. Or running the Foundation itself. Growing up in Jorasanko Thakurbari, the ancestral home of the Tagore family and a Mecca of the arts in colonial-era Bengal, Pragyasundari Devi was far more than the 20th century’s vocabulary had the capacity to describe. Perhaps, today, one might recognise her as a food scholar. Others might call her a pioneer.

Culture

Phoolkopir Barfi: The Tale of Pragyasundari Devi & Vegetable for Desserts

Had Pragyasundari Devi lived today, she may very well have been in the running for a James Beard award. Or running the Foundation itself. Growing up in Jorasanko Thakurbari, the ancestral home of the Tagore family and a Mecca of the arts in colonial-era Bengal, Pragyasundari Devi was far more than the 20th century’s vocabulary had the capacity to describe. Perhaps, today, one might recognise her as a food scholar. Others might call her a pioneer.

Nature

Olives in Rajasthan

Imagine standing on a vast stretch of land lined with thin silvery-green leafed trees swaying in the warm air of the desert. The fruit feels familiar, a green globose berry– is it karonda? You pluck this mysterious yet familiar fruit and bravely bite into it. Shockingly bitter, almost unidentifiable, this is an olive – far away from the land of gelato, pesto, hummus, or La Tomatina.

Nature

Olives in Rajasthan

Imagine standing on a vast stretch of land lined with thin silvery-green leafed trees swaying in the warm air of the desert. The fruit feels familiar, a green globose berry– is it karonda? You pluck this mysterious yet familiar fruit and bravely bite into it. Shockingly bitter, almost unidentifiable, this is an olive – far away from the land of gelato, pesto, hummus, or La Tomatina.

Nature

Olives in Rajasthan

Imagine standing on a vast stretch of land lined with thin silvery-green leafed trees swaying in the warm air of the desert. The fruit feels familiar, a green globose berry– is it karonda? You pluck this mysterious yet familiar fruit and bravely bite into it. Shockingly bitter, almost unidentifiable, this is an olive – far away from the land of gelato, pesto, hummus, or La Tomatina.

Nature

Olives in Rajasthan

Imagine standing on a vast stretch of land lined with thin silvery-green leafed trees swaying in the warm air of the desert. The fruit feels familiar, a green globose berry– is it karonda? You pluck this mysterious yet familiar fruit and bravely bite into it. Shockingly bitter, almost unidentifiable, this is an olive – far away from the land of gelato, pesto, hummus, or La Tomatina.

Contribute

A good story, like a good dish, is born out of a carefully considered and well-executed recipe. A pitch is very much like that. A good pitch should be more than a headline and less than a story.

A good story, like a good dish, is born out of a carefully considered and well-executed recipe. A pitch is very much like that. A good pitch should be more than a headline and less than a story.

A good story, like a good dish, is born out of a carefully considered and well-executed recipe. A pitch is very much like that. A good pitch should be more than a headline and less than a story.

A good story, like a good dish, is born out of a carefully considered and well-executed recipe. A pitch is very much like that. A good pitch should be more than a headline and less than a story.

Share what you have in mind and we can build something together.

Reading List

Reading List

Issue #4

Issue #4

a long list of reading on hyperlocal food, local food systems, informal networks, food as resistance, food as symbol, local flavours, global reach, tastebuds, terroir, soil, tags and climate. Do you know what is truly hyperlocal? Even we are constantly learning.

a long list of reading on hyperlocal food, local food systems, informal networks, food as resistance, food as symbol, local flavours, global reach, tastebuds, terroir, soil, tags and climate. Do you know what is truly hyperlocal? Even we are constantly learning.

See the list

Issue #3

Issue #3

You'll find readings that are spread across a wide a spectrum — from cooking for one to cooking for many, from the gender of the cook to the gender of the eater, from tools and technology that ease and complicate cooking to relationships one has with this act. There is more to cooking than you might think!

You'll find readings that are spread across a wide a spectrum — from cooking for one to cooking for many, from the gender of the cook to the gender of the eater, from tools and technology that ease and complicate cooking to relationships one has with this act. There is more to cooking than you might think!

See the list

Issue #2

Issue #2

The act of eating together is deeply meaningful to many, troublesome for some and alienating for others. Commensality is not all romantic. Through this reading list we have tried to put together a diverse range of stuff that we read before putting this issue of there.

The act of eating together is deeply meaningful to many, troublesome for some and alienating for others. Commensality is not all romantic. Through this reading list we have tried to put together a diverse range of stuff that we read before putting this issue of there.

See the list

View the full list

View the full list

Dhoop Studio

Dhoop Studio

Dhoop Studio

Dhoop Studio

We want to uncover what makes you ‘YOU’ and build on it further with a community IP, a physical artefact, a design intervention or a concept that’s memorable and unmissable.

We want to uncover what makes you ‘YOU’ and build on it further with a community IP, a physical artefact, a design intervention or a concept that’s memorable and unmissable.

We want to uncover what makes you ‘YOU’ and build on it further with a community IP, a physical artefact, a design intervention or a concept that’s memorable and unmissable.

We want to uncover what makes you ‘YOU’ and build on it further with a community IP, a physical artefact, a design intervention or a concept that’s memorable and unmissable.

Some dhoop for you!

Sign up for our newsletter.

dhoop uses food as a lens. Through this lens, we interrogate culture, sustainability, design, and the systems that sustain life. We started as a magazine focused on stories of food and its intersections.

Issue 03: Cooking

This issue expands our understanding of cooking—as a practice, sure, but perhaps more importantly, as an understanding, as a language, as a memory, and in transit.

Some dhoop for you!

Sign up for our newsletter.

dhoop uses food as a lens. Through this lens, we interrogate culture, sustainability, design, and the systems that sustain life. We started as a magazine focused on stories of food and its intersections.

We work out of Jaipur, Bangalore & Mumbai

Issue 03: Cooking

This issue expands our understanding of cooking—as a practice, sure, but perhaps more importantly, as an understanding, as a language, as a memory, and in transit.

Some dhoop for you!

Sign up for our newsletter.

dhoop uses food as a lens. Through this lens, we interrogate culture, sustainability, design, and the systems that sustain life. We started as a magazine focused on stories of food and its intersections.

Issue 03: Cooking

This issue expands our understanding of cooking—as a practice, sure, but perhaps more importantly, as an understanding, as a language, as a memory, and in transit.

Some dhoop for you!

Sign up for our newsletter here.

dhoop uses food as a lens. Through this lens, we interrogate culture, sustainability, design, and the systems that sustain life. We started as a magazine focused on stories of food and its intersections.

We work out of Jaipur, Bangalore & Mumbai

Issue 03: Cooking

This issue expands our understanding of cooking—as a practice, sure, but perhaps more importantly, as an understanding, as a language, as a memory, and in transit.